Traditional
Indian wrestling is known as kushti
(koosh-thee)
or pehelwani
(pay-hel-vaani).
In days of yore, it enjoyed great patronage among the royals, some of
whom, even took up the sport, then called mallayudh
(mull-a-yudhh).
Walk into traditional wrestling club (called akhada
=
a-khaa-daa)
in an Indian village and you are bound to notice a statue or print of
a muscular Hanuman from the Ramayana being venerated by trainees,
seeking both mental strength to deal with the discipline required for
the rigorous training as well as the physical prowess to wrestle even
the most formidable of opponents. The Pandava brother, Bheema from
the Mahabharata is depicted as a great wrestler and a symbol of
immense strength. Wrestlers practise and fight in a prepared earthern
pit, wearing only a loincloth, smearing their bodies with red dust as
an offering of respect to the earth as well as for better grip during
a fight. Part of the training includes the use of a pillar,
mallakhamb
(Mull-a-khamb)
to exercise stretches and twists to make their bodies lithe and their
spines, supple. Mallakhamb has now become a breakaway sport in its
own right. Among
Indians to enter the international wrestling scene, Khashaba
Dadasaheb Jadhav became the first Indian wrestler to win a medal in
the 1952 Helsinki Olympics, but it would take a good 56 years for
another Indian to break the dry spell. Sushil Kumar not only won a
bronze in the 2008 Beijing Olympics, he also became the first Indian
to win a medal in two consecutive Olympics, by winning the Silver in
this year’s London Olympics.
An edited version of the article was published in Culturama's November 2012 Issue.
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