There
are many forms of Indian calligraphy or stylized writing varying from
the base material to the script to the content. Beginning with edicts
on stone to the use of copper sheets, Indian calligraphy can be seen
primarily in the recording of religious texts, chronicles and
literature.
Palm
leaf was a much-favoured medium to transcribe Hindu, Buddhist and
Jain teachings. Treated palm leaf strips were used as pages and bound
together with string to form a book, making it easy to create with
inexpensive locally sourced materials and easy to transport too. This
was particularly used to copy out the orally-transmitted fables,
myths, songs, scriptures and religious treatises in Sankrit, Pali and
numerous Indian regional languages and scripts. Some of them even had
illustrations.
The
Mughals brought in the Persian script that was used in religious
texts and to chronicle achievements on numerous surfaces. They too,
used stone, marble and fabric, but incorporated elaborate, exquisite
embellishment. The Urdu newspaper Musalman, published out of Chennai,
is the oldest hand-written newspaper in India and perhaps the last
in the world. It continues to employ calligraphers to transcribe the
content into fluid right-to-left Nastali'q script.
An edited version of the article was published in Culturama's July 2012 Issue.
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