What
is the book about?
This
collection contains some of Saadat Hasan Manto's best-known stories
set in India and Pakistan during the period of the Partition in the
1940s,
about the forgotten, the displaced and the marginalised in both
societies. Women, especially prostitutes, feature prominently in this
collection of his stories and he writes about them with none of the
lasciviousness of the voyeur.
The
Dog of Titwal and The Last Salute reveal the mindset of the border
security forces of the two countries. There are wonderfully nuanced
stories, like A Wet Afternoon and The Blouse, about the stirrings of
sexual awareness. Manto's best loved story is the darkly comic Toba
Tek Singh, where he speculates on what would happen if India and
Pakistan exchanged mental asylum inmates on the basis of religion.
Who
is it by?
Manto
has been long regarded as one of the most prolific writers of Urdu
fiction. His disdain for hypocrisy and his unvarnished depiction of
sexuality earning him as many brickbats as admirers.
Translated
from the Urdu originals by Khalid Hassan, the stories preserve the
combination of irony, intensity and brevity that has come to be
recognized as Manto's writerly voice.
Why
should I read it?
The
charm of the book is as much in the author's intensely human voice as
the milieu in which his stories are set – the political climate
bears an eerie resemblance to the testy relationship between the two
countries today.
An
interesting piece of trivia is that the book cover is of a painting
by Iqbal Hussain, renowned for his portraiture of prostitutes in Hira
Mandi, Lahore, Pakistan, where he lives.
An edited version of the article was published in Culturama's July 2012 Issue.
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