Early
Indian filmmakers turned to the rich trove of Indian mythology for
subjects - audiences would be familiar with them, and it was an
opportunity to awe them with the visual magnificence of costumes and
palaces. This is a formula that still works although the expensive
detailing has extended to Independence sagas and later period settings
as well.
MAYABAZAR
(1957) - Tamil/Telugu – A mythological story presumably excerpted from
the Mahabharata, the film narrates the role of Bhima's son, the immense
Ghatotkacha in uniting estranged lovers, Arjuna's son Abhimanyu and
Krishna's niece, Sasirekha.
MUGHAL-E-AZAM
(1960) - Hindi – When Mughal prince Salim (who was later named
Jahangir) falls in love with Anarkali, a dancer at the royal court, this
creates a rift between him and his father, Emperor Akbar, leading up to
war between father and son.
NAYAGAN
(1987) - Tamil – Based on the life of Varadharaja Mudaliar and cast in
the mould of Godfather, Nayagan tells the story of Velu, an immigrant
from Tamil Nadu. A chance incident thrusts him into a life of crime and
he eventually becomes a godfather to the beleagured masses.
BANDIT
QUEEN (1994) – Hindi - Based on the life of Phoolan Devi, this movie
traces her life from the child bride to an abusive man to the young
woman at the receiving end of caste-based atrocities to the dreaded
dacoit who finally exacts her revenge and then surrenders.
IRUVAR
(1997) - Tamil – The film, loosely based on politics in Tamil Nadu,
narrates the story of the fond friendship between actor Anandan and
poet/writer Tamilselvan, who enter the world of politics and at one
point, are even on opposite sides.
THE
LEGEND OF BHAGAT SINGH (2002) - Hindi -This
is a biopic about the young revolutionary, Bhagat Singh, who,despite
being inspired by Gandhi, had a diametrically opposite approach to
freedom struggle, that of armed strife.
GURU
(2007) - Based on the life of Dhirubhai Ambani, Guru traces the
journey of ambitious Gurukant from weaving dreams of immense success in
a small village in Gujarat to becoming an industrial tycoon in Mumbai.
HARISHCHANDRACHI
FACTORY (2009) - Marathi - This curiously titled film narrates the true
story of how the doyen of Indian cinema, Dadasaheb Phalke set about
making India's first motion picture in the midst of failed experiments,
umpteen trials and a unique challenge regarding women characters.
BALGANDHARVA
(2011) - Marathi – A biopic that traces the life of Marathi stage actor
and singer, Balgandharva (1888-1967), renowned for his convincing
portrayal of women characters in an era when women did not act in
theatre.
PAAN
SINGH TOMAR (2010/2012) – Hindi - This is the story of a
runner-turned-rebel – Paan Singh - who was an ex-Army man and champion
athlete, but, following a land feud in his village, turned into a
dreaded bandit.
An edited version of the article was published in Culturama's May 2013 Issue.
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